Suraj Barman Apple Acquires MotionVFX – What It Means for Creators Apple Acquires MotionVFX - Core Issue and Practical Path Forward The core issue: Creators are unsure how Apple will handle MotionVFXs existing plugins and templates, especially regarding licensing, up...
Suraj Barman Shotoku Aura TRXPTZ Unveiled at NAB 2026 – A Technical Deep‑Dive Shotoku Aura TRXPTZ Launch Overview The NAB 2026 showcase introduced the PTZ ‑centric control system that merges Shotokus legacy expertise with modern automation capabilities, delivering a level of mu...
Suraj Barman Switch Azure 125: Consistent Creative Color Film The Core Issue Photographers who rely on colour negative film often face unpredictable colour shifts from batch to batch. This uncertainty turns a routine shoot into a gamble, especially when the film...
Suraj Barman Advanced Color Grading Techniques for Modern Video Production Overview of Modern Color Grading Workflow When a project moves from edit to final look, the color grading stage becomes the visual glue that binds every shot. Applying a calibrated LUT early on gives ...
Suraj Barman Why Viral Editors Use After Effects Templates Understanding the Core Issue: Slow, Labor‑Intensive Video Production Problem: Creators must deliver high‑quality videos quickly, but building every animation from scratch consumes valuable time. How A...
Suraj Barman RAW_RECOVERY_REQUIRED { title: Cobalt Digital NAB 2026 Product Overview, meta_title: Cobalt Digital NAB 2026 - New IPMX ST 2110 Gear, meta_desc: Explore Cobalt Digital's NAB 2026 lineup, including blueCORE processors, Paci...
Suraj Barman Broadcasters' Push to Encrypt Public Airwaves Broadcasters' Push to Encrypt Public Airwaves Problem: Broadcasters are lobbying the FCC to require encryption of over‑the‑air television signals under the ATSC 3.0 standard. Their latest filing relie...
Suraj Barman Aputure Spotlight Mount II – Technical Review for Post‑Production Workflows Product Overview and Core Mechanics The new ellipsoidal projector from Aputure introduces a rotating barrel that lets operators fine‑tune the beam axis, a feature that pairs naturally with the high ou...
Suraj Barman Fix Yellow Tint in Whites Using Lumetri Color Hue vs Sat Curve Fix Yellow Tint in Whites with Lumetri Color Problem: White areas in your footage appear yellow or orange because the white balance is slightly off. This color cast can look unnatural and is difficult...
Suraj Barman After Effects Audio Workflow Guide Audio Panels Overview The first step is to open the Audio panel via Window → Audio, which displays the current Playback level and lets you mute or solo tracks. Adjacent to it, the Preview panel contro...
Suraj Barman Choosing the Right Portable LED Lights for Video Production Problem: Small‑scale creators often struggle to find lighting that is affordable, lightweight, battery‑friendly, and capable of accurate color control for events, interviews, and on‑the‑go vlogging. S...
Suraj Barman Recreating Mini DV Look in After Effects – Step‑by‑Step Guide Initial Composition Setup Begin by opening After Effects and creating a new composition called Mini DV Comp. Set the size to 200 px × 150 px to achieve a 4:3 aspect ratio. This small canvas forces the...